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August 21, 2017 (edited)
I have listened to a lot of Grateful Dead since being round these parts and I am telling you without hesitation this is a solid show and mint recording (with the Bertha remaster)
Yes it is heavily in Billy's kitchen on the perspective side
and there are like 4 or 5 flips/warps,
but if anything is deserving of five stars--THIS IS IT.
The band in its prime and on top of the world.
Promised, FRIEND, Jack Straw
China>Rider- 4th song in-makes me think they are here to play.
Have you ever been up on stage close to a drum kit and just let it tear into you?
today everybody raps their drummer in plexiglass
I want to feel the drummer,
drummers are intensity, the HEARTBEAT of a band.
I have commented before
let every recording bring me a different perspective
on the Dead's sound.
I have been leaning back into 73 lately.
I like the freight train jams going from one song into the next
but their is also a certain clarity about 72.
It starts in Europe and just picks up steam.
Not sure what makes some recordings resonate with me
but this has that extra special mojo.
Polka-MEXICALI-
Solid percussion here for the BOX of Rain.
I noticed this version seems to move along at a pretty good clip.
I believe this is Donna's first song of the night.
The interplay between Phil and Donna is BEAUTIFUL.
Has to be one of the better versions of BOX *****
Phil just lands the vocal ending.
Me & Bobby-Bob is not on mic to start,
Wow, Garcia comes in on those backing vocals.
Did Garcia ever play this with Garcia Band?
I believe he did.
I never even noticed what Billy was doing
during this tune before.
Weir's vocals low,
But again, listen how into it >>>Garcia is with his backing vocals.
Ton of banter, m-a-r-s-h-m-el-low
CANDYMAN-Jerry's vocals are hitting my brain stem
Not sure who is singing behind Garcia probably Weir and Lesh
not hearing DJG on this.
Sounds like some slide.
If Bill gets any kind of uptempo tunes moving forward.
We better have a defibrillator handy.
MAMU-"A touching ballad of unrequenting greed."
Good Weir's vocals are better YES
O.K. sound is stabilized
Sugaree-This is just the right mix on Jerry's vocals.
PLAYING-22 minutes worth.
You get a full measure of DJG and Weir.
It will be interesting to see how the PITB jam sounds?
I know we had been lacking Keith somewhat in the mix?
Jerry solid sound on his riffs
About 8 minute in and the jam is in full swing.
and this is the MOTHER LOAD
Keith working the Piano.
You can hear the guys growl. (Very cool recording)
Jam at 12 minutes is intense FLYIN"
15 minutes High Intensity
at 16 minutes restate the Main Ten
Probably gives Donna Jean the heads up.
flip just before chord progression PITB reprise.
But they are still jamming SPACE, kinda bending and closing in
Sure Donna is swaying at the mic now.
Like water heading over a waterfall comes the REPRISE
Bill is juiced, Both Donna & Bob bringing the lyrics.
Oh, Jerry with that guitar!
an amazing Set One with a fade out on Weir's standard set break announcement.
Set Two-
Yes how about a He's Gone opener!
They pulled this out at RFK late 80's I believe?
and it was such a rarity.
I can always find that show by that 2nd set opener.
Well with me talking about how P.I.T.B evolved.
What about He's Gone?
Those versions during Europe 72 are cool
but this is a stand alone Big Kahuna.
El Paso- oh yes, Amazing where Weir placed these cowboy tunes,
A good tune to follow Billy on.He get super busy, double timing.
Weir's voice is pristine. Keith is right on.
Almost can hear shades of Professor Longhair (Tipitina)
Don't Ease-Wow, interesting placement.
Used to hearing this as a first set closer.
This is good upbeat rocker
and speaking of rockers ===GREATEST !!!
Garcia's guitar on this song during 72 has that psychedelic
wha-wha.sound. Donna takes a pass until the water witch spell
que Garcia liftoff. Not easy to keep up with Jerry's guitar but Donna gives it her due, Keith jumps in with some boogie woogie.
Weir comes in for final verse.
Oh my, oh my Mr. Garcia
Brown Eyed-I am kinda emotional right now.
I remember it was like yesterday
but oh so many years ago
"Tumbled down shack in Big Foot County"
IT LOOKS LIKE THE OLD MAN'S GETTING ON..
Note: Bill's drumming to coda
BIODTL-Vocals are real good hear with Phil backin'
Jerry's everywhere ouch/ cut KEITH
Smooth Weir lyrics
Garcia Backing vocals
No Donna on that one.
ATTICS- WHEN I HAD NO WINGS TO FLY..
YOU flew to me.. YOU flew to me...
Weir counts off the Big River
Big River-slam dancin'
with the GD
" Mason Minnesota?"
So it all comes together , got the backbeat
got the heart of gold band
tear the roof off ..
Phil counts off the Dark Star 1-2-4
Am I ready for this? Bring it on
8:25-Very Very NICE
11 + Dark Star crashes
25 minutes in = total complete utter meltdown
um Sugar Magnolia during the SSDD transition
Weir cracks
ANY TIME NOW ,, WE GET PAID BY THE HOUR
Donna gives the good night 🌼
E) Casey Jones-Ripping.
I was not expecting JGB as a second encore.
This show is what it is all about!!!!!
Donna stepping out on this Johnny B
Bobby ad-libbing all over the place.
Weir shredding those vocal chords
Jerry Garcia
Phil Lesh
Bob Weir
Keith & Donna
Billy the Kid
10-27-72